Practickle: Where Reading Is Made Run!

Second Reading This Is Not My Hat

For the Second Reading the focus will be on both the text and a vocabulary word, probably.

Research done at both the University of Virginia and Ohio State University was reported in a National Public Radio (www.npr.org) article by Alix Spiegel (May 29, 2012). Ms. Spiegel notes the importance of focusing your child’s attention on the details in the text. Asking simple questions about the text leads to stronger comprehension. Modeling for the listener the importance of the text leads to building an appreciation for both the obvious and subtle meanings of the text. As you read, encourage connections to the previous “reading”of the illustrations. Tie the illustrations and the text together.

Read the pages before any discussion.

Pages 1 – 2

~Who is telling the story? (the little fish)

~Now that you know what the fish is thinking, look at the fish’s eye. How might he be feeling?
~How fast do you think he is swimming? Why might he be swimming quickly? (He looks like he is looking behind him. He looks like he thinks someone is chasing him.)

Pages 3 – 4:

~What is humorous about the text? (The little fish stole the hat from a very big fish. The hat is so little.)

Pages 5 – 6:

~ On page 6, probably: very likely, usually.

~Is the little fish correct, or do you think that the big fish woke up right away? Explain.

Pages 7 – 14:

Read the pages first.

~Do you think that the little fish is correct?  Discuss.

~What do you think of his plan to hide “where the plants grow big and tall and close together”? Is his plan going to work? Explain.

Pages 15 – 18:

~Does the crab keep the little fish’s hiding place a secret?

~Why do you think the crab shows the big fish where the little fish has gone?

Pages 19 – 20:

The little fish tries to explain why he stole the hat.

~Is he correct to take the big fish’s hat? Discuss.

Page 21 – 22:

~Does the little fish make it to safety?

Finish the text.

~Does the little fish stay safe?

~What probably happens in the tall plants?

Spend time talking about what is going on in the tall plants. Encourage the use of all senses.

Talk about the last pages. How does the story end?

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First Reading This is Not My Hat

During the First Reading you will focus only on the illustrations. There will be two basic questions that you will ask your listener as you turn the pages:

~“What do you see?”

~“What do you think is happening?”

These two questions help the brain form inferences, predictions, and conclusions. First, the brain gathers evidence from the illustration. Then, prior knowledge connects with this evidence to form an inference, prediction, or conclusion.

Repeatedly stressing the difference between what you see in the illustration and what is happening gives readers practice in using evidence for their inferences. This is an essential skill that good readers use to make their inferences, predictions, and conclusions in all types of text.

Remember the attention span of your listener. Keep the story time to about twenty minutes.

If the pages are not numbered, page 1 is the first page of text.

Title Page: Look at the title page. Jon Klassen is both the author and the illustrator.

Pages 1 – 2:

~What do you see?

~What do you think is happening?

~Why might the background black? (A response might be that the fish is in very deep water….no sunlight.)
~How might it feel in this kind of water?
~What sounds might you hear?

~Look at the little fish’s eyes. How do you think he is feeling?

Pages 3 – 4:

~What is the big fish doing? What details make you think that?

Pages 5 – 6:

~What changes are in this illustration? (eyes and bubbles) Do the eyes and bubbles tell us how the fish is feeling?

~Why might the big fish have this look on his face?

~What sounds might you hear in this scene?

Pages 7 – 20:

~Notice the changes on these pages.

~What do you think is happening on each page? What do the eyes reveal?

Continue through this series of pages. Notice the eyes of the characters. The illustrator uses the eyes to tell us a lot.

Pages 21 – 28:

As you get to the pages where the tall sea plants cover the pages, you have reached a great opportunity for visualizing.
~What sounds might you hear?

~If you could see into the thick seaweed, what might you see?

Pages 29 – End:

~On pages 29 and 30, look at the crab. What do you think the crab might be thinking?
~On pages 31 and 32, what do you see?

~How does the big fish seem to be feeling? Why might the big fish be feeling this way?

Next time, we will read the words. Do you have any questions that the text might answer when we read?

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About This Book This is Not My Hat

About This Book: THIS IS NOT MY HAT

By Jon Klassen

his popular book has two story streams.  One stream is through the illustrations where the action in the plot unfolds. The other story stream is through the text where the thoughts of the little “thief” are revealed. Along with the unique relationship between illustrations and text, there are a couple of parts in the book that lend themselves to rich practice in visualizing. Visualizing is a “Best Practice” in the building of strong reading comprehension strategies.

Several years ago, I read an article in Psychology Today: “Seeing is Believing: The Power of Visualization” (December 2, 2009, written by Angie LeVan). In the article, Ms. LeVan gives powerful examples of professional athletes using visualization to enhance their physical performance. From my work with a wide range of ages and abilities, visualizing is a powerful tool that strong readers use both to enhance their enjoyment of text and to self-monitor their comprehension. When a skilled reader realizes that a mental image is “fuzzy” or not making sense, other “fix-up” skills are employed to clear up the image (aka: comprehension).

As you are reading this story, share your mental images with the listener. Be detailed. Include as many of the senses as you can. Share not only what you see, hear, taste, etc., but also the feelings that the text and illustrations evoke in you.

To unlock the full potential that visualizing has to enrich comprehension, visualization must be practiced. Along with talking about visualization, drawing the mental images or dramatizing them with your children are great fun and can provide some lasting memories.

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About This Book A Sick Day For Amos McGee

This sensitive book is a recent Caldecott Award winner for it’s lovely illustrations! However, the loving characters, also, make this a special story.  Amos McGee works in a zoo. As Amos McGee’s relationships with the animals at the zoo are revealed, you see that he has many animal friends. Amos meets his zookeeper responsibilities and is loyal to the animals. In return, they feel a loyalty and responsibility to him. He loves them, and they love him.

We all have friends and responsibilities. These two common experiences provide the opportunity for the reader to make connections. (In the teaching world, you may hear this called activating prior knowledge.) There are three kinds of connections that readers of all ages make:
~connecting the text to their own experiences,
~connecting the text to other texts, and
~connecting the text to the world.

All of these connections are going to help the reader to recall the text and to understand it at a deeper, more personal level. When the story or the characters remind you of something stored in your prior knowledge (long-term memory) your brain has an easier time holding on to that particular information. (For more research on making connections or activating prior knowledge, see our blog entries on the Practikckle website.)

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Make Way For Ducklings

ABOUT THIS BOOK: MAKE WAY FOR DUCKLINGS This classic children’s picture book is older than I am! (Though, not by much.) It is a Caldecott Medal winner for the most distinguished American picture book of 1941.

Not only is it a warm story of a father and mother duck taking care of their eight ducklings, it is a story perfect to practice the reading comprehension Best Practice of visualizing. (Note: Why This Book? for This Is Not My Hat, a June selection)

The soft neutral sketches in this picture book lend themselves to creating a movie in the listener’s head. Living in the twenty-first century we know that our children’s worlds are full of visual images created by others. Making the reader’s own movie helps the text come alive and enhances recall. However, visualizing takes much guided practice.

The importance of visualizing first came to my attention through a wonderful book for teachers called Mosaic of Thought: Teaching Comprehension in a Reader’s Workshop, 1997, by Ellin O. Keene and Susan Zimmermann. It brought new dimension to not only my teaching, but the teaching of many others. It reminds instructors that visualizing is not just seeing the picture, but bringing in sensory information from all five senses. To take visualizing to its full potential adds depth to your comprehension and strengthens your memory!

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Goodnight Goodnight Construction Site

My grandson LOVES cars and trucks. I mean REALLY loves them. Both fiction and informational picture books that have any vehicles are the books he requests repeatedly. When I first read this book, I was so excited. It’s about trucks and big construction machinery, AND it is rich with inferencing opportunities. Most of the thinking that we do each day is forming inferences which includes predictions and conclusions.

The experience that REALLY taught me how to teach was teaching reading to secondary at-risk students. What was blocking the comprehension of most of these students was a lack of strategies and skills to help them when comprehension broke down. I taught them how the brain forms inferences:
LOOK AT THE EVIDENCE + LINK IT TO WHAT YOU ALREADY KNOW = AN INFERENCE!

When reading text, students would practice saying to themselves:

~What does the text say?

~What do I already know about this?

~So…………………… (The prediction, conclusion, or inference forms.)

Since the early 80’s research has confirmed inferencing’s importance to comprehension. Kathryn S. Carr in an article in The Reading Teacher in 1983 mentioned important findings from 1980 that state, “Inferencing is the most important comprehension subskill.” Since then, research continues to affirm her statement, granting inferencing Best Practice status. Successful students know how to form inferences. Strong readers make more inferences and more correct inferences than poor readers. Let’s get our young readers started inferring!

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About This Book And Then It’s Spring

ABOUT THIS BOOK: AND THEN IT’S SPRING

by Julie Fogliano

As I sit wrapped in a blanket listening to the howling wind sending Minnesota temperatures to -40 degrees, I think that I should be writing about A Snowy Day by Ezra Jack Keats. That classic story is about a little boy content to be outside in the snow all by himself, having a wonderful time. The setting of And Then Its Spring moves to the very end of winter. This little boy is, also, content to be outside by himself. The only other characters accompanying him are his silent animal friends. Ms. Fogliano uses sparse poetic text with one continuous sentence to convey peace, anticipation, and hopefulness. A sample page:

(more…)

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Third Reading: Good Night Good Night Construction Site

For the Third Reading, here are two suggestions to enhance the listener’s comprehension and help analyze the story:

~ Focus on the rhythm and the rhyming words. Leave out the second rhyming word, and have your child supply it. (Similar to the procedure suggested in the Second Reading.)

~ Dramatize the story. Create different voices for the different characters. Use different tones and volume. Remember to say the italicized lines differently.

DISCUSSION OPTIONS:

~ Talk with your child about riddles. Riddles require inferences to be formed. Make up riddles about the characters in the story to see if your child can determine which character is the answer to the riddle. (Example: I have a track and a stack. What am I? BULLDOZER) Share additional riddles that your child knows.
~ What other machinery might you add to the book?

~ Connect any of the special vocabulary used in the book to the new machinery that you are adding.

~ What happens at the construction site the next day after the trucks and machinery wake up?

~ Is the title a good one? Why?

 

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Second Reading: Analysis Hank Finds an Egg

The discussion and activity options focus on analyzing the main idea, theme, character traits, setting and how all of the story elements fit together to increase comprehension, retention, and knowledge of all that is in this marvelous story.

During this reading your child and you will read the story all the way through. Three ways that you can add fun and improve recall during this reading:
~You may switch roles and become the listener and the questioner as your child “reads” (retells) the story to you. Tie together the structure of a story to match the photographs. Make sure that you include essential story elements: setting (when and where), characters, problem that the character is trying to solve, and how the problem is resolved at the end of the story. Help your child match story telling to the photograph. Help your child know when the appropriate time is to turn the page.
~Your child and you may alternate the pages you read to each other.
~Dramatize the story. Take the roles and voices of the different characters. One of you can be the narrator. The other can be Hank and the hummingbirds.

DISCUSSION OPTIONS:
~Each time that you read this story, your child and you may create new dialogue and new twists to the plot.
~Do you like reading a book with no text? Explain.
~Think of words to describe what kind of personality Hank has. (possibilities: persistent, diligent, kind, curious, creative) How are Hank and you alike?
~Think of other story characters like Hank. One who might come to mind is Corduroy. Compare and contrast Corduroy and Hank. Compare and contrast Hank to any story character who comes to your mind.

ACTIVITY OPTIONS:
~ Rebecca Dudley used only paper, clay, fabric, and wire to make her dioramas. Can you find where she uses these materials?
~The Reading Comprehension Best Practice for this book is Graphic Organizers. (A graphic organizer is a way to organize specific information.) Make a graphic organizer similar to the one below. Fill in this Graphic Organizer with the story elements of Hank Finds an Egg.

STORY ELEMENTS: HANK FINDS AN EGG

pastedgraphic

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First Reading: Hank Finds an Egg

As you know, Hank Finds an Egg is wordless. During this reading, you will focus on the details in the illustrations.There are no right or wrong answers to the questions that you pose to your listener in this reading. Since the pages are not numbered, page 1 is the first photograph.

Your child will be asked to infer what the characters might be thinking, feeling, or saying in the photographs. Your child will, also, be asked to predict what Hank might do next. If your child doesn’t have a response, mention that the information might be in the text during the Second Reading.

*Discuss the beautiful hand-crafted details in the photographs.

*Look at the cover. Hank is introduced. What kind of animal do you think Hank is? What kind of egg might be on the ground?

Page 1:
Discuss the setting of the story. (Setting is both the when and the where of the story.)
~What season might be shown on page 1? What is your evidence? (spring: some plants seem to be ready to bloom, eggs are laid by birds in the spring)
~ What is happening in the photograph?
~What might Hank be thinking as he looks at the egg?

Pages 2 – 3:
Talk about the order in which to view the photographs. (left to right)
~What is Hank doing?
~What might Hank be thinking?

Pages 4 – 7:
Look at this series of photographs.
You can repeat the following questions for each page:
~What is Hank doing?
~What might Hank be thinking?
~On page 7, predict what Hank is going to do with the piece of wood.

Pages 8 – 9:
~Look at the photographs in order. Talk about going from top to bottom.
~What is Hank doing? Was your prediction about the piece of wood correct?
~Has Hank gotten the egg back in the nest?
~Make another prediction about what might Hank try next.

Pages 10 – 11:
~What does Hank decide to do next to try to get the egg back into the nest?
~Do you think his new idea will work?

Pages 12 – 13:
~Does the ladder solve the problem?
~Help Hank think of another way to get the egg back into the nest.

Pages 14 – 15:
~On page 14, what is it that seems to have caught Hank’s attention? (the rising moon)
~What might Hank be thinking?
~Where do you think he might be going?

Pages 16 – 19:
Look at this series of photographs.
~Discuss what Hank is doing in each of the photographs.
~Why might Hank be sleeping with the egg?

Pages 20 – 21:
~On page 20, what time of the day do you think it is?
~Where do you think Hank might be going?

Pages 22 – 23:
Another character enters the story, a hummingbird.
~Why might the hummingbird be flying around the nest?
~What might the two characters be saying to each other?

Pages 24 – 25:
Look at the series of photographs.
~What is Hank doing in this series of photographs?

Pages 26 – 27:
~What has Hank done with the egg?
~What might Hank and the hummingbird be saying to each other?

Pages 28 – 31:
Look at the series of photographs.
~Whose idea do you think it is to wrap the egg in moss and have the hummingbird fly with it to the nest?
~On pages 30 and 31, what might Hank and the hummingbird be saying to each other?

Pages 32 – END:
Look at the series of photographs.
~What is happening?
~On page 35, which one of the hummingbirds is in the photograph with Hank? What might they be saying to each other?
~In the last photograph, how do you think Hank is feeling? Why might he be feeling this way?

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